Thousands of geniuses live and die undiscovered - either by themselves or by others.

Monday, May 30, 2011

Hyperpoetry: A Lesser Known Genre


The Hyperpoems open the door to multi-theme asynchronous moving poetry, as a new way of reading words which are constantly rearranging themselves. The scrolling lines start all together, but since the lines have different lengths, they get out of sync quickly. Since the motion is slow, you can read parts of different lines at will, moving over the range of the poem in a new and surprising mode. Try to read snatches of lines as your eye moves up and down while the words move right to left. Stay with the poem a while, reading and remembering phrases and how they fit together, for an entirely different poetic experience.

Poetry as the vibrant expression of a recombinant language and culture find a niche in hypertext. New meanings can be discovered, followed, created and recreated anew. Hyper poetry can be made up of images, text and flash animation, but above all, hyperlinks. The idea is that everything contributes to the poetic (if you use Landow’s definition, surprising and delightful) nature of the work, so your hyperlinks have to add some sort of meaning to what the reader (or more accurately, user) can see. Although one can see the benefit of studying this - there is a lot of academic writing about hypertext in narrative, what this means for literature and students and academia etc because it doesn’t really interest all, I am not keen to go down that path. Poetry has too long been relegated to the academy. As such, it alienates its audience and makes it difficult for poets to inject their work into the world. Poets deserve a place for their work to live and be seen. Much more importantly, though, the world deserves to see the work of new poets unfiltered—without having to look through the lens of gatekeepers. It is an effort to take poetry back. It is a shift in thinking. It is a public space where real people can interact with real poems. It is a revolution. 


Wednesday, May 25, 2011

Poems of Kamala Das (My Favourites-2)

This collection (and also the previous one) aims to provide the accessibility to poems of Kamala Das to the readers, scholars and others who are interested in the same.






The Suicide

Bereft of soul
My body shall be bare.
Bereft of body
My soul shall be bare.
Which would you rather have
O kind sea?
Which is the more dead
Of the two?
I throw the bodies out,
I cannot stand their smell.
Only the souls may enter
The vortex of sea.
Only the souls know how to sing
At the vortex of the sea.
Your body shall be dead,
Poor thing,
Dead as driftwood, drifting
And drifting to the shore.
Your body shall ride the tide,
Rider, slumped dead
On white war-house.
Charging.
Your body shall bruise white
Against the coral reefs,
Your body,
Your lonely body.
I tell you, sea,
I have enough courage to die,
But not enough.
Not enough to disobey him
Who said: Do not die
And hurt me that certain way.
How easy your duties are.
How simple.
Only roar a hungry roar,
Leao forward,
And retreat.
You swing and you swing,
O sea, you play a child’s game.

But,
I must pose.
I must pretend,
I must act the role
Of happy woman,
Happy wife.
I must keep the right distance
Between me and the low.
And I must keep the right distance
Between me and the high.
O sea, i am fed up
I want to be simple
I want to be loved
And
If love is not to be had,
I want to be dead, just dead
While I enter deeper,
With joy I discover
The sea’s hostile cold
Is after all skin-deep.
The sea’s inner chambers
Are all very warm.
There must be a sun slumbering
At the vortex of the sea.
O sea, i am happy swimming
Happy, happy, happy ...
The only movement i know well
Is certainly the swim.
It comes naturally to me.
I had a house a Malabar
And a pale-green pond.
I did all my growing there
In the bright summer months.
I swam about and floated,
And divided into the cold and green
I lay speckled green and gold
In all the hours of the sun,
Until
My grandmother cried,
Darling, you must stop this bathing now.
You are much too big to play
Naked in the pond.

Yes, the only movement i really know
Is swimming,
It comes naturally to me.
The white man who offers
To help me forget,
The white man who offers
Himself as a stiff drink,
Is for me,
To tell the truth,
Only water.
Only a pale-green pond
Glimmering in the sun.
In him I swim
All broken with longing.
In his robust blood i float
Drying off my tears.
Yet i never can forget
The only man who hurts.
The only one who seems to know
The only way to hurt.

Holding you is easy
Clutching at moving water,
I tell you, sea,
This is easy,
But to hold him for half a day
Was a difficult task.
It required drinks
To hold him down.
To make him love.
But, when he did not love,
Believe me,
All I could do was to sob like a fool.

O sea,
You generous cow,
You and I are big flops.
We are too sentimental
For our own
Good.

Lights are moving on the shore.
But I shall not return.

Sea, toss my body back
That he knew how to love.

Bereft of body
My soul shall be free.
Take in my naked soul
That he knew how to hurt.
Only the soul knows how to sing
At the vortex of the sea.


The Stone Age

Fond husband, ancient settler in the mind,
Old fat spider, weaving webs of bewilderment,
Be kind. You turn me into a bird of stone, a granite
Dove, you build round me a shabby drawing room,
And stroke my pitted face absent-mindedly while
You read. With loud talk you bruise my pre-morning sleep,
You stick a finger into my dreaming eye. And
Yet, on daydreams, strong men cast their shadows, they sink
Like white suns in the swell of my Dravidian blood,
Secretly flow the drains beneath sacred cities.
When you leave, i drive my blue battered car
Along the bluer sea. I run up the forty
Noisy steps to knock at another’s door.
Through peepholes, the neighbours watch,
They watch me come
And go like rain. Ask me, everybody, ask me
What he sees in me, ask me why he is called a lion,
A libertine, ask me the flavour of his
Mouth, ask me why his hand sways like a hooded snake,
Before it clasps my pubis. Ask me why like
A great tree, felled, he slumps against my breasts,
And sleeps. Ask me why life is short and love is
Shorter still, ask me what is bliss and what its price ...


A Losing Battle

How can my love hold him when the other
Flaunts a gaudy lust and is lioness
To his beast? Men are worthless, to trap them
Use the cheapest bait of all, but never
Love, which in a woman must mean tears
And a silence in the blood.

Monday, May 09, 2011

List of National / International Conferences in English Literature and Language

Finding right platform to upgrade or/and dissement your knowledge is not always easy. An effort has been made here to pass on the information regarding conferences/seminars. Any other related information regarding the same would be appreciated.

 Website: http://www.mmecl2011.org
Contact name: Akinobu TANI


Website: http://www.bronte.org.uk/index.php?option=com_content&task=view&id=159&Itemid=214
Contact name: Sarah Fermi


28 Writing for Journal Publication Symposium Aegina Greece
3rd international WRITING FOR JOURNAL PUBLICATIONsymposium, designed to help you improve yourEnglish writing skills and get your academicresearch published in international scientificjournals.
Website: http://lihe.info
Contact name: Dr. Prof. Claus Nygaard

September 2011
02 6th Biennial Anthony Powell Conference London United Kingdom
Sixth international conference dedicated to thework, life and times of English novelist and manof letters Anthony Powell. Theme: AnthonyPowell’s Literary London.
Website: http://www.anthonypowell.org
Contact name: DR KC Marshall
Website: http://www.tudorstuartireland.com
Contact name: The Organisers
Website: http://www.englishacademy.co.za/conferences_11.html
Contact name: Naomi Nkealah
Website: http://www.stbedescollege.in/engseminar.htm
Contact name: Anuja Sharma

22 In Search Of Solutions: The Conventional, The Experimental And The Bizarre Hyderabad, India
Website: http://melusmelow.blogspot.com/
Contact name: Manju Jaidka
Website: http://www.asocopi.org
Contact name: Álvaro Quintero
Website: http://www.ells2011.com
Contact name: Darintip Chansit



November 2011
04 National Conference on Peer Tutoring in Writing Miami Florida
Website: http://www.ncptw.net/2011-conference.html
Contact name: Paula Gillespie

 December 2011
01 Facing Present, Past and Future. Fourth International BAAHE Conference Brussels Belgium
Website: http://www.camtesol.org/
Contact name: VINH Bun Eang


July 2012
12 Crabbe's Tales Newcastle upon Tyne United Kingdom
Website: http://conferences.ncl.ac.uk/crabbestales/
Contact name: Michael Rossington

23 'Magic is Might' 2012 Limerick Ireland
Website: http://magicismight2012.blogspot.com/
Contact name: Gráinne O'Brien

Journals & Magazines on English Literature and Linguistics in India






Following is the list of some of the academic journals and magazines on English studies (literature, linguistics and other subjects taught in English literature depts. in India.) The visitors/readers of the blog are requested to contribute to making this list exhaustive. Should you know of any other journals and their details please leave those details in the comment section.  





1.   Journal of Contemporary Thought
Publisher: Forum for Contemporary Thought, Vadodara, Gujarat and College of Liberal Arts of the Louisiana State University in Shreveport, USA.
Periodicity: twice a year; in summer and winter
Contact: Prof. P. C. Kar, Director, Centre for Contemporary Theory and General Semantics, C-304 Siddhi Vinayak Complex, Behind Baroda Railway Station, Faramji Road, Baroda-390 007, Gujarat, India.
E-mail: prafullakar@gmail.com, raths@cwu.edu
Annual Subscription: Institution: Rs 400/-, Individual: Rs 200/-

2.   The ICFAI Journal of English Studies
Publisher: The ICFAI University Press, #52, Nagarjuna Hills, Panjagutta, Hyderabad,   500082.
Periodicity: 4 times a year. March, June, Sept, and Dec.

3.   The Quest
Publisher: Editor, The Quest, 202, Preeti Enclave, Chandni Chowk, Kanke Road, Ranchi 834008, India
Periodicity: June and December
Annual Subscription: Rs 400/-

4.   The Atlantic Literary Review
Publisher: K.R. Gupta, 7/22, Ansari Road, Darya Ganj, New Delhi-110002 (India)
Editor: Rama Kundu
Subscription: Annual (4 issues): Institutional (net): Rs 1000/-, Individual (net) : Rs 600/-

5.   Indian Literature
Publisher: Sahitya Akademi, Rabindra Bhavan, 35, Ferozeshah Road, New Delhi-110001, India
Subscription: Rs 250/-

6.   Indian Journal of Gender Studies
Publisher: Indian Journal of Gender Studies, 25, Bhai Vir Singh Marg, Gole Market, New Delhi-110001, India
Editors: Malavika and Leela Kasturi
E-mail: ijgs@cwds.org 
Annual Subscription: Individual (print only) Rs 850

7.   Journal of Indian Linguistics 

8.   Language in India (ISSN: 1930-2940)

9.   International Journal of Dravidian Linguistics 

10. International Journal of Translation Studies (ISSN: 0970-9819)

11. Indian Journal Of Applied Linguistics (ISSN 0379-0037)

12. International Journal Of Communication (ISSN - 0975-640x)

13. Parnassus: An Innovative Journal Of Literary Criticism (ISSN 0975-0266),
Published From Feroze Gandhi College, Rae Bareli (Uttar Pradesh), India,
Edited by Dr Nilanshu Agarwal, nilanshu1973 @ yahoo.com
14. Contemporary Discourse (ISSN 0976-3686)Editors,:Sudhir Nikam  and Madhavi Nikam
Web:  http://
www.litsight.com

15.   Muse India - A Literary E-Journal   Web: http://www.museindia.com/index.asp

16. The Muse: An International Journal of Poetry Web: http://themuse.webs.com/

Wednesday, April 27, 2011

Selected Poems Of Kamala Das (My Favourites)




The Dance of the Eunuchs (from Summer in Calcutta)


It was hot, so hot, before the eunuchs came
To dance, wide skirts going round and round, cymbals
Richly clashing, and anklets jingling, jingling
Jingling... Beneath the fiery gulmohur, with
Long braids flying, dark eyes flashing, they danced and
They dance, oh, they danced till they bled... There were green
Tattoos on their cheeks, jasmines in their hair, some
Were dark and some were almost fair. Their voices
Were harsh, their songs melancholy; they sang of
Lovers dying and or children left unborn....
Some beat their drums; others beat their sorry breasts
And wailed, and writhed in vacant ecstasy. They
Were thin in limbs and dry; like half-burnt logs from
Funeral pyres, a drought and a rottenness
Were in each of them. Even the crows were so
Silent on trees, and the children wide-eyed, still;
All were watching these poor creatures' convulsions
The sky crackled then, thunder came, and lightning
And rain, a meagre rain that smelt of dust in
Attics and the urine of lizards and mice....
 





The Maggots (from The Descendants)


At sunset, on the river ban, Krishna
Loved her for the last time and left...

That night in her husband's arms, Radha felt
So dead that he asked, What is wrong,
Do you mind my kisses, love? And she said,
No, not at all, but thought, What is
It to the corpse if the maggots nip?

 



The Stone Age (from The Old Playhouse and Other Poems)


Fond husband, ancient settler in the mind,
Old fat spider, weaving webs of bewilderment,
Be kind. You turn me into a bird of stone, a granite
Dove, you build round me a shabby room,
And stroke my pitted face absent-mindedly while
You read. With loud talk you bruise my pre-morning sleep,
You stick a finger into my dreaming eye. And
Yet, on daydreams, strong men cast their shadows, they sink
Like white suns in the swell of my Dravidian blood,
Secretly flow the drains beneath sacred cities.
When you leave, I drive my blue battered car
Along the bluer sea. I run up the forty
Noisy steps to knock at another's door.
Though peep-holes, the neighbours watch,
they watch me come
And go like rain. Ask me, everybody, ask me
What he sees in me, ask me why he is called a lion,
A libertine, ask me why his hand sways like a hooded snake
Before it clasps my pubis. Ask me why like
A great tree, felled, he slumps against my breasts,
And sleeps. Ask me why life is short and love is
Shorter still, ask me what is bliss and what its price....


Sunday, April 17, 2011

Is India a poor country?

 
"Indians are poor but India is not a poor country" says one of the Swiss Bank Directors. He further adds that "280 Lakhs Crore" of Indian money is deposited in the Swiss Banks which can be used for 'tax less'  budget for 30 years. This money can be used

  • to employ 60 0000000 Indians.
  • to construct, 4 lane roads from any village of India to Delhi .
  • to enable, forever free power supply to more than 500 social projects.
  • to provide every citizen monthly amount of Rs. 2000/- for 60 yrs.
Hope anyone pays heed to these facts and take some action.